Everyone a blogger now? as Facebook Notes makes substantial changes.
Andrew Tarantola has the story at Engadget in Now anybody can be a blogger using Facebook Notes.
Saturday, September 26, 2015
Tuesday, September 22, 2015
Sky Earth Native America 1, Edition 2, eBook Version via Amazon for Kindle, Android and iOS
Sky Earth Native America 1, Edition 2, by Andis Kaulins is available on Kindle eBooks via Amazon at
and has the specifications listed below. The .pdf mixed text and image files have been converted as graphic images in order to have Kindle MOBI file versions that make it possible to view these volumes with Kindle, Android and iOS.
File Size: 73096 KB
Simultaneous Device Usage: Unlimited
Publisher: Andis Kaulins; 2 edition (September 20, 2015)
Publication Date: September 20, 2015
Sold by: Amazon Digital Services, Inc.
Language: English
ASIN: B015NNDU3M
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Not Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
Sky Earth Native America 2, Edition 2, by Andis Kaulins is available on Kindle eBooks via Amazon at
and has the specifications listed below. The .pdf mixed text and image files have been converted as graphic images in order to have Kindle MOBI file versions that make it possible to view these volumes with Kindle, Android and iOS.
File Size: 73875 KB
Simultaneous Device Usage: Unlimited
Publisher: Andis Kaulins; 2 edition (September 20, 2015)
Publication Date: September 20, 2015
Sold by: Amazon Digital Services, Inc.
Language: English
ASIN: B015NNWEAC
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Not Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
and has the specifications listed below. The .pdf mixed text and image files have been converted as graphic images in order to have Kindle MOBI file versions that make it possible to view these volumes with Kindle, Android and iOS.
File Size: 73096 KB
Simultaneous Device Usage: Unlimited
Publisher: Andis Kaulins; 2 edition (September 20, 2015)
Publication Date: September 20, 2015
Sold by: Amazon Digital Services, Inc.
Language: English
ASIN: B015NNDU3M
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Not Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
Sky Earth Native America 2, Edition 2, by Andis Kaulins is available on Kindle eBooks via Amazon at
and has the specifications listed below. The .pdf mixed text and image files have been converted as graphic images in order to have Kindle MOBI file versions that make it possible to view these volumes with Kindle, Android and iOS.
File Size: 73875 KB
Simultaneous Device Usage: Unlimited
Publisher: Andis Kaulins; 2 edition (September 20, 2015)
Publication Date: September 20, 2015
Sold by: Amazon Digital Services, Inc.
Language: English
ASIN: B015NNWEAC
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Not Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
Sky Earth Native America in TWO Volumes as Edition 2: Table of Contents for Volume 2: Mound Key, Estero Bay Aquatic Preserve, Florida as an Ancient Map of North America?
Is Mound Key, Estero Bay Aquatic Preserve, Florida an Ancient Map of North America?
Sky Earth Native America 2: American Indian Rock Art Petroglyphs Pictographs Cave Paintings Earthworks & Mounds as Land Survey & Astronomy, Volume 2, Edition 2, 262 pages, by Andis Kaulins. Publication Date: September 20, 2015. Language: English. List Price: $49.99. Trim Size 7" x 10" inches viz. 17.78 x 25.4 cm. Full Color on White paper. 266 pages. ISBN-13: 978-1517396831 (CreateSpace-Assigned). ISBN-10: 1517396832. BISAC: History / Americas. Create Space Title ID: 5745813. http://www.createspace.com/5745813
Table of Contents by Page and Subject for Volume 2, Edition 2
Sky Earth Native America 2: American Indian Rock Art Petroglyphs Pictographs Cave Paintings Earthworks & Mounds as Land Survey & Astronomy, Volume 2, Edition 2, 262 pages, by Andis Kaulins. Publication Date: September 20, 2015. Language: English. List Price: $49.99. Trim Size 7" x 10" inches viz. 17.78 x 25.4 cm. Full Color on White paper. 266 pages. ISBN-13: 978-1517396831 (CreateSpace-Assigned). ISBN-10: 1517396832. BISAC: History / Americas. Create Space Title ID: 5745813. http://www.createspace.com/5745813
Table of Contents by Page and Subject for Volume 2, Edition 2
- page 3 - Table of Contents, Volume 2
- page 11 - Preface
- page 13 - Book Publications by the Author on Law, Legal History, and Ancient Astronomy and Land Survey
- page 17 - Mounds of the State of Florida Revised Map includes Mound Key as a Map of North America ca. 1150 B.C. [#61]
- page 22 - The Ultimate Test for Art and Archaeological Aptitude - "ArtArchApt" Shows Your "ArtArchAptness" [#62]
- page 25 - Mound Key and Other Sites in the Estero Bay Aquatic Preserve South of Fort Myers Florida as Stars of Cetus [#63]
- page 28 - Dali and da Vinci through July 26, 2015 at "the Dali" Museum in St. Petersburg: Minds Machines & Masterpieces
- page 28 - The Lake Jackson Mounds in the Florida Panhandle Mark a Rectangle of Stars to the Left of the Head of Cetus at the Lower Extremity of the Stars of Taurus [#64]
- page 30 - The Grand Mounds at Little Talbot Island State Park in Northeast Florida near Jacksonville mark Ecliptic, Vernal Equinox, and Calculate Precession ca. 240 B.C. [#65]
- page 33 - Shields & Grant Mounds at the Mill Cove Complex Jacksonville Florida Have the Shape of a Fishhook & Fishing Weight as Located at the Mouth of Pisces [#66]
- page 37 - Alternative Browser "Pale Moon" as a Fork of Mozilla Firefox but No Australis Keeps Firefox 28 Customizability Including Tabs BELOW the Address Bar and Full Profile Migration
- page 40 - Shell Rings Sapelo Island Darien Georgia Mark Upper Stars of Pisces as Early Snorkeler Water Serpent Whale/Manatee, Shark, Sardine, Octopus, Starfish and Tropical Fish [#67]
- page 44 - Pinson Mounds in Tennessee -- Largest Middle Woodland Mound Complex in the USA -- Sauls Mound, Ozier Mound, Earthworks -- Mark the Stars of Cassiopeia as a Bird [#68]
- page 48 - Terra Ceia Island and Madira Bickel Mounds Between St. Petersburg and Bradenton Florida Represent Stars in Cetus as Mortar Pestle Dough & Bakers Peel [#69]
- page 50 - Long Key White Sand Mound Boca Ciega Bay Gulf Coast Florida St. Petersburg as Stars of Cetus and Eridanus [#70]
- page 54 - It's Not What You Say, It's What People Hear: Sequential Presentation of Information More Important than Content
- page 54 -Big Mound City and the Big Circle Mounds in Florida Marked Neighboring Groups of Stars in Cetus Separated by the Celestial Meridian in ca. 670 A.D. [#71]
- page 58 - Philip Earthworks at Lake Marion, Florida show the Circle of Stars at 34 Ceti, 38 Ceti, 39 Ceti and 42 Ceti, with 34 Ceti the Star On the Edge of the Circle [#72]
- page 60 - Fort Center Lakeport Florida Mounds Earthworks Mark Cetus Left of Stars Marked by Big Circle Mounds [#73]
- page 62- Letchworth-Love Mounds Monticello Florida's Largest Pre-Columbian Earthworks, Mark Stars of Aries [#74]
- page 64 - Kolomoki Mounds Blakely Largest in Georgia mark the Bright Stars of Aries at the Vernal Equinox ca. 200 BC [#75]
- page 66 - Antiquarian Discovery Charles Dickens Pickwick Papers
- page 68 - Tick Island DeLeon Springs Lake Woodruff Florida marks Stars at the Circlet of Pisces [#76]
- page 72 - Rollins Shell Ring and "Ringlet" Mounds Fort George Island Cultural State Park Jacksonville Florida, SW of the Grand Mounds Little Talbot Island State Park, Mark Stars of Pisces at Alpha Piscium and Portray a Man of Native America [#77]
- page 75 - Tomoka Mounds Middens Ormond Beach Florida Mark Primarily the Stars of the Lower Fish of Pisces as a Shark with the Head to the Left and the Body to the Right [#78]
- page 78 - Turtle Mound Largest Shell Midden USA Near New Smyrna Beach in Florida Marks Delta Piscium and the Mount Royal Temple Mound Near Welaka Marks Xi Piscium: Map of Florida Mounds of the Lower Fish of Pisces [#79]
- page 81 - Does Mankind Really Want Mysteries of the Past to be Solved? Facts as Unwanted Visitors in the World of Academic and Other Wishes and Emotions [#80]
- page 85 - Native America Contributions to Modernity: Maize (Corn), the Potato, the Tomato, Tobacco, and Machu Picchu [#81]
- page 89 - Machu Picchu Peru Marks Ophiuchus in its Architectural Design Construction as Inca Cosmological Levels[#82]
- page 92 - Intihuatana (Inti Watana) at Machu Picchu as Solar Apex, Apex of Sun's Way on its Galactic Orbit in the Galaxy [#83]
- page 93 - Other Stars Marked in the Environs of Machu Picchu? [#84]
- page 94 - Cognition of Geographic Information and Human Spatial Orientation : Systems of Landmarks in Ancient Eras
- page 95 - Population Genetics Puts Origins of Indo-European Languages in the East in the Corded Ware Kurgan Culture
- page 103 - New Genetic Research Says Human Out of Africa Migration Was Via Egypt and Not Via Ethiopia
- page 104 - Saksaywaman in Cuzco, Peru Represents Aquila as the Quechua ch'aska kancha "Stellar Constellation" Cha(s)kay Waman, the Falcon Constellation [#85]
- page 112 - SaksayWaman as Star Groups of the Heavens Between Tullu Mayu and Sapphi Mayu, the Ends of the Milky Way [#86]
- page 115 - Decipherment of SaksayWaman as Inca Astronomy - Image 1of 14 Decipherment Images taken Left to Right - Here Marking Libra, Virgo, Corvus, and the Equinox Line [#87]
- page 117 - Decipherment of SaksayWaman as Inca Astronomy: Image 2 of 14 Marks Crater & Tail of Hydra [#88]
- page 118 - Decipherment of SaksayWaman - Image 3 of 14 Marks Leo Cancer Hydra Canis Minor & Major and Canopus [#89]
- page 119 - Decipherment of SaksayWaman: Image 4 of 14 Marks Orion Gemini Taurus Auriga [#90]
- page 120 - Decipherment of SaksayWaman: Image 5 of 14 Marks Perseus Pleiades Aries Andromeda Pegasus [#91]
- page 121 - Decipherment of SaksayWaman: Image 6 of 14 Marks Cassiopeia Equinox Cepheus [#92]
- page 122 - Decipherment of SaksayWaman: Image 7 of 14 Marks Draco Aquila Cygnus Lyra Ophiuchus Cygnus Cepheus [#93]
- page 123 - Decipherment of SaksayWaman: Image 8 of 14 Marks Serpens Caput Sagittarius [#94]
- page 124 - Decipherment of SaksayWaman: Image 9 of 14 Marks Inca ATOQ the Fox, Scorpio (tail to the left) [#95]
- page 125 - Decipherment of SaksayWaman: Image 10 of 14 Marks the Great Llama Centaurus Lupus [#96]
- page 126 - Decipherment of SaksayWaman: Image 11 of 14 Marks Llama Cancha Yutu Tinamou [#97]
- page 127 - Decipherment of SaksayWaman: Image 12 of 14 Marks Crux the Southern Cross [#98]
- page 128 - Decipherment of SaksayWaman: Image 13 of 14 Marks Dark Constellations Toad Hanp'atu Serpent Mach'acuay [#99]
- page 129 - Decipherment of SaksayWaman: Image 14 of 14 Marks the End Section of Mach'Acuay the Dark Constellation [#100]
- page 131 - A "Readable" Full Decipherment Photo Image for SaksayWaman via a Link to the Bitmap [#101]
- page 132 - Qurikancha Gold Altar Map Cuzco Peru Inca Inti Sun Temple as Crux Southern Cross plus Milky Way and Galactic Meridian [#102]
- page 139 - Rock Art Ererê Brazil Uses Same Astronomical System as Found at Cusco: Inscripcoes em rochedos do Brasil Figure 4 Hartt: First of a Series of Six Postings [#103]
- page 142 - Rock Art Ererê Brazil Figure 5 Hartt[#104]
- page 143 - Rock Art Ererê Brazil Figure 6 Hartt[#105]
- page 144 - Rock Art Ererê Brazil Figure 7 Hartt[#106]
- page 145 - Rock Art Ererê Brazil Figure 10 Hartt[#107]
- page 146 - Rock Art Ererê Brazil Figure 1Hartt[#108]
- page 147 - "Heart of the World" at La Ciudad Perdida, the Lost City of Colombia, South America, Marks the Stars of Corvus and Also Has a Southern Hemisphere Sky Map Megalith [#109]
- page 151 - Petroglyph Boulders viz. Petroglyphic Megaliths as Former Tribal Boundaries in Native America [#110]
- page 153 - Kokopelli as Boötes Playing Flute Extending to Ursa Major: Mortendad Cave Petroglyphs Los Alamos New Mexico USA as Marking Stars of the Heavens ca. 1750 B.C. [#111]
- page 154 - Kokopelli as Kokopetiyot (koko-petiyot): Boötes the Herdsman with Flute or Horn[#112]
- page 156 - Blythe Intaglios California Arizona Border as Astronomical Tribal Landmarks Involve Environmental Suits[#114]
- page 162 - Painted Rock, La Piedra Pintada, Carisa Rock viz. Carrol Rock, Carrizo Plain, San Luis Obispo County, Largest Pictograph Site in California, Marks Stars of Virgo [#115]
- page 166 - Keystone Petroglyphs Mendocino County, California, Mark Stars of Virgo at the Autumn Equinox ca. 500 B.C. [#116]
- page 169 - Spyrock (Spy Rock) Petroglyphs Mendocino County California Mark Stars of the Sky ca. 3000 B.C. [#117]
- page 171 - The Klamath River Petroglyph Boulder as Sky Map [#118]
- page 173 - A "Virgo" Fertility Origin for the Name of Oregon? [#119]
- page 177 - Roosevelt Washington Columbia River Rock Inscriptions at Horsethief Lake State Park are Sky Map ca. 750 B.C. in the Shape of a Dog-like Animal's Head like Machu Picchu [#120]
- page 180 - Lost Slakaiya Rock Petroglyphs of Eel River California are a Sky Map ca. 3400 B.C. and Perhaps an Ancient Map of the Northern Pacific Northwest Including Alaska [#121]
- page 184 - Rock Formation at Big Butte Montana Marks Boötes [#122]
- page 188 - Pictograph Cave State Park Montana Giant Cliff Wall "Cupules" (Holes) as Stars ca. 3000 B.C. [#123]
- page 191 - Medicine Wheel Locations in Alberta, Canada Mark Stars of Sagittarius, Corona Australis and Telescopium [#124]
- page 192 - Distribution of Pictographic Rock Art Sites in Alaska and a Decipherment Map as Astronomy by Location [#125]
- page 195 - Tuxedni Bay Clam Cove Alaska Carvings Rock Art SW of Anchorage: Tuxedni as Cygnus Clam Cove as Aquila [#126]
- page 204 - Alaska Rock Art Geographic Distribution Corresponds to Traditional Tribal Territorial Divisions of Cultures [#127]
- page 215 - Feniak Lake Alaska Noatak National Preserve 3-Sided Megalith Marks Stars & Astronomical Parameters [#128]
- page 218 - Rumsen Rock Presidio Monterey California Near the Sloat Monument is Fertility "Virgo Megalith" [#129]
- page 221 - Rio Hurtado Valley Norte Chico Chile Rock Art Deciphered as Crux Centaurus Musca ca. 600 A.D. [#130]
- page 225 - Anasazi Ancestral Pueblo Rock Art St. George Ivins Utah as Sky Map from Serpens Cauda to Aquila ca. 1000 B.C. at the Emergence of the Early Basketmaker Era II [#131]
- page 227 - Skaitok Boulder Spence's Bridge British Columbia Canada as a Sky Map of Stars Similar to Anasazi Pictographs [#132]
- page 230 - Sambaqui - Shell Midden Mounds of Santa Catarina, Brazil, Jabuticabeira Region Mark the Turtle viz. Tortoise of Heaven as the Stars of Columba at the Bottom of the World [#133]
- page 235 - The Great Google Earth Eagle Mystery Challenge and the Seven Principles of an Eagle: The Eagle as the Messenger to the Great Spirit, the Creator [#134]
- page 238 - A First Nations Clue to the Location of the Eagle of The Great Google Earth Eagle Mystery Challenge: The Boundary Commission Trail as the Oldest Highway in the West and the Boundary Between the USA and Canada [#135]
- page 242 - Manitoba Manitou and the Eagle [#136]
- page 243 - A Hypothetical Ancient Land Survey Map of Native America and the Cahokia Birdman Tablet Compared [#137]
- page 245 - Location of the Mystery Eagle at the "Old" Pilot Mound, Manitoba: Aquila in Land Survey of Native America [#138]
- page 248 - Jeffers Petroglyphs of Minnesota as Sky Maps ca. 750 B.C. Minnesota Marks the Stars of Hercules [#139]
- page 252 - Petroglyphs of Area of Slabs, Area das Lajes, Amazon Basin, Manaus, Brazil, as a Sky Map ca. 3000 B.C. [#140]
- page 255 - The Equator Megalith of Brazil Highway BR-174 North of Manaus near Rorainópolis, State of Roraima, Brazil [#141]
- page 259 - About the Author
Sky Earth Native America in TWO Volumes as Edition 2: Table of Contents for Volume 1: Astronomer Surveyor Priests from Europe in Ancient Days?
Sky Earth Native America 1: American Indian Rock Art Petroglyphs Pictographs Cave Paintings Earthworks & Mounds as Land Survey & Astronomy, Volume 1, Edition 2,
266 pages, by Andis Kaulins. Publication Date: September 20, 2015.
Language: English. List Price: $49.99. Trim Size 7" x 10" inches viz.
17.78 x 25.4 cm. Full Color on White paper. 266 pages. ISBN-13:
978-1517396817978-(CreateSpace-Assigned). ISBN-10: 1517396816. BISAC: History / Americas. Create Space Title ID: 5745812.
http://www.createspace.com/5745812
Table of Contents by Page and Subject for VOLUME 1, Edition 2
http://www.createspace.com/5745812
Table of Contents by Page and Subject for VOLUME 1, Edition 2
- page 3 - Table of Contents: Volume 1
- page 11 - Preface
- page 13 - Prologue 1: The History of Civilization: Winston Churchill on the Rule of Law as a Prerequisite to Human Progress
- page 15 - Prologue 2: Anthropomorphic Rocks Featured in America's 1st Surrealist Film, Object Lesson, already in the year 1941
- page 22 - Prologue 3: Book Publications by the Author on Law, Legal History, and Ancient Astronomy and Land Survey
- page 26 - The Great "Google Earth" Image Mystery
- page 27 - The Great "Google Earth" Image Mystery: Hints to Solution
- page 29 - Judaculla Rock Cherokee Dividings : Research Beginnings
- page 30 - Starry Night Pro as our Astronomy Software for Research
- page 31 - Judaculla Rock Decipherment 1
- page 33 - Petroglyphs of North Carolina and Georgia Mark Stars
- page 36 - Two Petroglyph Boulders of Northeast Georgia near Helen Mark Stars of Canis Major, Canis Minor, Orion & Taurus
- page 38 - Allen Rock Petroglyphs in Habersham County, Georgia USA Mark Stars of the Heavens Principally Orion
- page 41 - Hiawatha: Holder of the Heavens: A Solution to The Great Google Earth Image 34.890653 -83.880198 Mystery
- page 46 - Hiawatha as Atlas and Orion, the Iroquois Aron-Hiawagon with Hiawagon = Hiawatha, the "Holder of the Heavens"
- page 49 - Prehistoric Mankind's Primary Technologies Were Rooted in Astronomy; Economies Were Based on Land & Property
- page 51 - The Great Mound, Petroglyph and Painted Rock Art Journey of Native America Begins! [Posting #1 of this Series]
- page 52 - Grave Creek Mound Archaeological Complex Moundsville West Virginia Marks Cygnus [Posting #2 of this Series]
- page 55 - The Center of the Mound System of Native America: Great Serpent Mound, Newark, Chillicothe [#3 of the Series]
- page 58 - The North Ecliptic Pole and Draco as Marked by the Newark Earthworks in Ohio [#4]
- page 61 - Draco and the Hopewell Mounds of the Mound City Necropolis in Chillicothe, Ohio [#5]
- page 62 - Precession: North Celestial Pole and Ursa Minor as Marked by Mounds and Earthworks in Chillicothe, Ohio [#6]
- page 68 - Criel Mound Dunbar South Charleston West Virginia Mark Stars of Cepheus and North Celestial Pole in ca. 300 BC [#7]
- page 71 - Wolf Plains Mounds of Ohio as Southeasterly Stars of Draco Near the North Ecliptic Pole [8th]
- page 73 - Google Earth Pro Free as of February 1, 2015
- page 73 - The Paint Creek Valley Mounds, Seip and Baum Earthworks, and Fortified Hill in Ohio as Stars of Ursa Major near the Big Dipper and North Celestial Pole [#9]
- page 76 -The Great Serpent Mound in Ohio Marks Stars of Draco & Mounds and Earthworks Help to Calculate Precession [#10]
- page 83 - Effigy Mounds National Monument, Harpers Ferry, Iowa, as Stars of Libra, Boötes, Ursa Major, Perseus, Pleiades [#11]
- page 87 - Effigy Mounds at Poverty Point, West Carrol Parish, Louisiana as Astronomy: Thunderbird of the Pleiades [#12]
- page 90 - Poverty Point Needs Review [#13]
- page 91 - Painting in Cave of Indian, Tamaulipas, Burgos Municipality, Mexico, Marks Taurus, Orion ca. 2300 B.C. [#14]
- page 96 - John Bedell on Aztec Surveying & Ancient Civilizations: Land Survey and Astronomy Drove Mathematical Progress
- page 96 - Las Labradas Petroglyphs Baja California Sur Mexico Mark Tropic of Cancer Summer Solstice Canis Major [#15]
- page 101 - Sierra de San Francisco El Vizcaino Reserve Baja California Sur in Mexico: Rock Art as a Sky Map ca. 1000 B.C. [#16]
- page 105 - A Baseline X,Y Axis for An Ancient Native North America Land Survey with a Portrait of an Astronomical Land Surveyor as an Ollama Game Player on Tlachtli [#17]
- page 109 - Etowah Ocmulgee Lamar Mounds Georgia Mark Summer Solstice ca. 1200 A.D. and 1450 A.D. Respectively [#18]
- page 112 - Great Thunderbird Challenge for World's Archaeologists, Astronomers Archaeoastronomers: 1 Petroglyph 60 Stars!
- page 115 - The State of Modern Archaeology and Astronomy: Thundering Acclaim for the Thunderbird Challenge or Not?
- page 123 - Y-Axis of Native North America Land Survey - Herschel, Saskatchewan Canada to Ancient Sites in Mexico [#19]
- page 128 - The Bottom of the Y-Axis of the Ancient Native North America Land Survey by Astronomy in Mexico: Monte Alban, Santos Reyes Nopala, Mitla, Rio Copalita [#20]
- page 132 - Rock Art Sites of Southern Saskatchewan, Canada, Mark Stars of Scorpio and Autumn Equinox ca. 3000 B.C. [#21]
- page 134 - Herschel Petroglyphs, Monoliths & Rocks Mark Primarily Stars of Scorpio and Autumn Equinox ca. 3000 B.C. [#22]
- page 139 - Herschel Petroglyphs Monolith #1 as Sky Map ca. 3000 B.C. and Survey Plan of Ancient Native North America [#23]
- page 143 - Herschel Petroglyphs Monolith #2 Marks Stars at Head of Scorpio Marking Autumn Equinox ca. 3000 B.C. [#24]
- page 146 - Herschel Petroglyphs Monolith #3 Marks Scorpio [#25]
- page 148 - Thunderbird of Roche Percée Petroglyphs of Saskatchewan Canada Marks Stars Below Hydra by Canis Major[#26]
- page 153 - Temple of Seven Dolls Dzibilchaltun Merida Marks Front Shield Stars of Orion at Celestial Equator ca. 200 B.C. [#27]
- page 157 - Mitla in Oaxaca Mexico Marks Stars of Lepus Columba [#28]
- page 159 - Palenque Chiapas Mexico Marks the Stars of Columba [#29]
- page 161 - Texas Man-With-Raised-Arms Petroglyph Marks Stars of Taurus at Palo Duro Canyon (2nd largest in USA) [#30]
- page 164 - North Dakota Mounds at Valley City State University Medicine Wheel Park Mark Stars of Serpens Caput and Ophiuchus and the Autumn Equinox in ca. 3000 B.C. [#31]
- page 166 - The Megalith of Cañon el Porvenir Zaragoza, Coahuila, Mexico near the Twin Peaks of Los Picos de Davis and near Del Rio, Texas Marks Gemini ca. 3000 B.C. [#32]
- page 170 - Rock Art Sites in Southwestern Arizona Mark Stars of Leo and the Summer Solstice ca. 3000 BC at Quitobaquito [#33]
- page 173 - Toltec Mounds Arkansas Mark Stars of Auriga as a Boat, plus Milky Way, Galactic Equator & Galactic Meridian [#34]
- page 175 - Spiro Mounds in Oklahoma Mark Stars Between Gemini Auriga and Lynx and Mark the Galactic Meridian [#35]
- page 177 - Cahokia Mounds Platforms & Palisades Mark Stars of Ursa Major as a Bow-and-Arrow Wielding "Galactic" Hunter [#36]
- page 181 - Cahokia Monks Mound Birdman : Mystery of Official Cahokia Logo Tablet and Monks Mound [#37]
- page 183 - Cahokia Monks Mound : The Missing Heart[#38]
- page 185 - Cahokia at the Heartland of Ancient Native America! [#39]
- page 189 - Cahokia Birdman Tablet Has Sky Map Etched on the Stone Surface: The Crosshatch Back Side Diagonals Each Marked Six Degrees of the Heavens: The Birdman was Surely the "Astronomer Surveyor Priest" [#40]
- page 195 - The Winterville Mississippi Mounds Mark Theta Aurigae at Mound A and Nearby Stars in Auriga Lower than the Upper Toltec Mounds Star Menkalinan [#41]
- page 198 - Marksville Emerald Mound and 46 Locations in Louisiana and Mississippi Mark Stars of Auriga: The Indian Trail Natchez Trace Thus Followed Edge of the Milky Way [#42]
- page 202 - Moundville Earth Mounds near Tuscaloosa Alabama Mark Stars of Perseus [#43]
- page 205 - The Shelton Stone Mound Complex Group 2 near Jacksonville Alabama Marks Stars of Perseus [#44]
- page 208 - The Shelton Stone Mound Complex Group 1Marks Stars of What We Today Call Camelopardalis Above Perseus [#45]
- page 209 - Shelton Stone Mound Complex Group 3 near Jacksonville Alabama Marks the Pleiades and Stars of Aries [#46]
- page 210 - Flinders Petrie and the Shelton Mound Wall and Boulder Complex Groups 12 3 Together as a Weaver & Vertical Warp-Weighted Backstrap-Type Loom [#47]
- page 217 - The Bottle Creek Mounds North of Mobile Alabama Mark the Stars of the Pleiades [#48]
- page 219 - Ancient Mounds of the Florida Peninsula Mark the Stars of Cetus -- Crystal River Mounds, Horr's Island (now the "other" Key Marco), Miami Circle and More [#49]
- page 224 - Crystal River Mounds of the Crystal River Archaeological State Park in Florida Mark Stars at the Head of Cetus [#50]
- page 226 - Crystal River Mounds Megalith (Stela #1) Deciphered [#51]
- page 233 - The "Next" Great Google Earth Image Mystery [#52]
- page 235 - Brickell Point Miami Circle Florida as a Sky Map[#53 - #57]
- page 245 - Miami Circle, Nazca, Northern Hemisphere Sky Map, Aztec Calendar Stone, Izapa Stela 5, Google Earth Mystery [#58]
- page 255 - Location of Next Google Earth Image Mystery Image [#59]
- page 258 - The Fact Avoidance Syndrome in Mainstream Science
- page 258 - Nazca (Nasca) Mystery Image as Anthropomorphic Cupule Marking of Stars of Andromeda and Pisces on Earth [#60]
- page 264 - About the Author
What About the European - Native American Connection via Haplogroup X? Sky Earth Native America Published in TWO Volumes as Edition 2: General Description
What About Haplogroup X?
Was there European influence via ancient seafarers in Native America?
Why do Native American populations have Haplogroup X?
Haplogroup X is also found in European populations, also e.g. especially in the Orkney Islands of Scotland.
Did the megalithic culture of Europe, found extensively on the Orkneys, bring systematic astronomy to the New World thousands of years ago?
The Wikipedia writes at Haplogroup X (mtDNA):
"Haplogroup X is found in approximately 7% of native Europeans, and 3% of all Native Americans from North America.... Sub-group X2 appears to have undergone extensive population expansion and dispersal around or soon after the last glacial maximum, about 21,000 years ago. It is more strongly present in the Near East, the Caucasus, and Mediterranean Europe; and somewhat less strongly present in the rest of Europe. Particular concentrations appear in Georgia (8%), the Orkney Islands (in Scotland) (7%), and amongst the Israeli Druze community (27%). Subclades X2a and X2g are found in North America, but are not present in native South Americans."
The book Sky Earth Native America has now now been published in TWO Volumes as Edition 2 and may provide some answers to the above questions.
Sky Earth Native America has been published as a book in TWO Volumes via CreateSpace.com and can be viewed at the following two links. Both volumes are "Edition 2" since there had to be a change made from "Edition 1", which is no longer published, and that is why this posting has been amended as follows:
Both volumes have the same cover except that one has "Volume 1" on the front cover and the other has "Volume 2" on the front cover. The earth image on the cover was created using public domain space photos of the Earth from NASA.
Although this publication is primarily for my own records, there may be a few persons who are interested in acquiring these two volumes. The following two postings after this one present the Table of Contents of each book volume.
Both book volumes contain the following basic book description:
I also appended the following information about myself as the author:
Was there European influence via ancient seafarers in Native America?
Why do Native American populations have Haplogroup X?
Haplogroup X is also found in European populations, also e.g. especially in the Orkney Islands of Scotland.
Did the megalithic culture of Europe, found extensively on the Orkneys, bring systematic astronomy to the New World thousands of years ago?
The Wikipedia writes at Haplogroup X (mtDNA):
"Haplogroup X is found in approximately 7% of native Europeans, and 3% of all Native Americans from North America.... Sub-group X2 appears to have undergone extensive population expansion and dispersal around or soon after the last glacial maximum, about 21,000 years ago. It is more strongly present in the Near East, the Caucasus, and Mediterranean Europe; and somewhat less strongly present in the rest of Europe. Particular concentrations appear in Georgia (8%), the Orkney Islands (in Scotland) (7%), and amongst the Israeli Druze community (27%). Subclades X2a and X2g are found in North America, but are not present in native South Americans."
The book Sky Earth Native America has now now been published in TWO Volumes as Edition 2 and may provide some answers to the above questions.
Sky Earth Native America has been published as a book in TWO Volumes via CreateSpace.com and can be viewed at the following two links. Both volumes are "Edition 2" since there had to be a change made from "Edition 1", which is no longer published, and that is why this posting has been amended as follows:
- http://www.createspace.com/5745812 Sky Earth Native America 1: American Indian Rock Art Petroglyphs Pictographs Cave Paintings Earthworks & Mounds as Land Survey & Astronomy, Volume 1, Edition 2,
266 pages, by Andis Kaulins. Publication Date: September 20, 2015.
Language: English. List Price: $49.99. Trim Size 7" x 10" inches viz.
17.78 x 25.4 cm. Full Color on White paper. 266 pages. ISBN-13:
978-1517396817978-(CreateSpace-Assigned). ISBN-10: 1517396816.
BISAC: History / Americas. Create Space Title ID: 5745812. - http://www.createspace.com/5745813 Sky Earth Native America 2: American Indian Rock Art Petroglyphs Pictographs Cave Paintings Earthworks & Mounds as Land Survey & Astronomy, Volume 2, Edition 2, 262 pages, by Andis Kaulins. Publication Date: September 20, 2015. Language: English. List Price: $49.99. Trim Size 7" x 10" inches viz. 17.78 x 25.4 cm. Full Color on White paper. 266 pages. ISBN-13: 978-1517396831 (CreateSpace-Assigned). ISBN-10: 1517396832. BISAC: History / Americas. Create Space Title ID: 5745813.
Both volumes have the same cover except that one has "Volume 1" on the front cover and the other has "Volume 2" on the front cover. The earth image on the cover was created using public domain space photos of the Earth from NASA.
Although this publication is primarily for my own records, there may be a few persons who are interested in acquiring these two volumes. The following two postings after this one present the Table of Contents of each book volume.
Both book volumes contain the following basic book description:
"Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska, geographically located their villages according to patterns seen in stars of the heavens. See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report, American Anthropologist, 4, 730-736, 1902.Both volumes have the following "internal" cover:
Ralph N. Buckstaff wrote: "These Indians recognized the constellations as we do, also the important stars, drawing them according to their magnitude. The groups were placed with a great deal of thought and care and show long study.... They were keen observers.... The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men." See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map, American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
In our book, we take these observations one level further and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America, together with mounds and earthworks, were made to represent territorial geographic landmarks placed according to the stars of the sky using the ready map of the starry sky in the hermetic tradition, "as above, so below".
That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America, whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs, cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
These landmarks were placed systematically in North America, Central America (Meso-America) and South America and can to a large degree be reconstructed as the Sky Earth of Native America."
I also appended the following information about myself as the author:
"Andis Kaulins is a joint EU and USA citizen, born in Germany in 1946, who received his B.A. from the University of Nebraska in 1968 in English and Political Science and his J.D. (Doctor of Jurisprudence) law degree from Stanford University Law School in 1971.
Kaulins is an alumnus associate of Paul, Weiss, Rifkind, Wharton & Garrison, an international law firm headquartered in New York City. Kaulins is also a former FFA Law Lecturer in Anglo-American Law, University of Trier Law School, Trier, Germany, where he taught Anglo-American Law, Legal Research and Legal Writing to ca. 200 students per semester.
Kaulins is a co-author of the leading German-English English-German Dictionary of Business, Commerce and Finance, published by Langenscheidt and Routledge, now in its 4th edition in the Langenscheidt version under lead author Ludwig Merz. The other co-author is Dr. phil. Heinz Werner.
Education, Past Positions and Publications
- - Lincoln High School, Lincoln, Nebraska
- - B.A. University of Nebraska
- - J.D. Stanford University Law School
- - Associate: Paul, Weiss, Rifkind, Wharton & Garrison, an international law firm headquartered in New York City
- - University of Nebraska Law School -- Project on Appellate Court Delay (a National Center for State Courts project working with the Nebraska Supreme Court as a staff attorney)
- - Arizona State University Law School -- Project on Law Enforcement Policy and Rulemaking (writing Model Rules of Procedure for police departments of major US cities)
- - University of Kiel Law School, Germany -- Visiting Fellow, Institut für Ostrecht (East-West trade, Soviet Union, divided nations (Germany, Korea), Latvian Supreme Court decisions)
- - FFA Law Lecturer in Anglo-American Law, University of Trier Law School, Trier, Germany, teaching Law, Legal Research and Legal Writing to ca. 200 students per semester
- - Pharmaceutical and computer company consultant
- - Co-author: Langenscheidt Routledge German-English English-German Dictionary of Business, Commerce and Finance
- - Author: Stars Stones and Scholars
- - Author: Ancient Signs: The Alphabet and the Origins of Writing
- - Author: The Syllabic Origins of Writing and the Alphabet (Create Space print edition) (Kindle ebook edition)
- - Men's Golf Champion at the age of 61 at the Mosel Golf Club, Cochem, Germany"
Monday, September 21, 2015
Online Fantasy Sports and Gambling and Gaming Laws : What is Legal? What can be Prohibited?
The paternal nature of gaming and gambling lawmaking arises out of the well-meaning illusion that human
vices can be eradicated by prohibitions, a faulty line of thinking
already clearly repudiated by the failure of the Prohibition of alcohol beverages in the USA via the 18th Amendment to the Constitution of the United States, which was subsequently repealed by the 21st Amendment to that same Constitution -- for the simple reason that the law did not work.
Amber Phillips at The Fix in the Washington Post asks:
Are daily fantasy sports even legal?
American and international laws on gaming and gambling reflect the minds of legislators trying to cope with "games of chance" in the real world.
What are the odds that the legislators have it right? Not very good.
Anyone who does not realize that life itself is in many respects a "game of chance" just has not been around long enough or seen enough. Life is a lottery in many, even important, aspects. You roll the dice and take your chances.
Is there ANY empirical evidence anywhere that gambling and gaming laws work, e.g. that they actually help to eliminate gambling or gaming addiction?
While it is regrettably very true that excessive gambling can cause personal and/or family ruin and can also be the cause of great harm to third parties, is there ANY evidence that legislation in force achieves ANY of the goals that moralistic prohibitionary laws intend? or are people simply kidding themselves?
The harms that excessive gambling viz. gaming cause should of course be reduced, but what is the right way to do it?
Chief among these harms is the simple fact that too many people modernly spend too much time on gambling viz. gaming pursuits, often to the detriment of their family, profession, and social and other responsibilities. How is that to be corrected?
Various age-old human vices may be bad, but simple prohibition does not appear to be the right method to get rid of them.
For laws, there has to be some empirical proof that prohibition-type legislation works. What is that proof for current gambling and gaming laws?
Certainly the prevailing standards are ridiculous,
and not just in the United States.
Take Germany as an example, where the German Lottery is state-owned and is a marvelous source of income for the government, expressly prohibiting private institutions from doing the same. Does that make it better? See:
We understand very well society's need to keep people from gambling away their fortunes, or their salaries, simply for the sake of gambling (or gaming).
Those who are addicted to such pursuits and who risk their financial well-being must ultimately be taken care of by others, so that the State has an over-riding interest to make sure this does not happen, at least, as far as possible. Anyone who wants to gamble away his or her fortune can still do so in the present world and "a fool and his or her money is easily parted". Do not worry about that. Many even do that on the stock market. Can we prohibit that gambling too?
Instead of strict prohibitions, why not put LIMITS on how much anyone can game or gamble in a given year, or month, or week, based on how much they earn, own or have? Why do gambling laws have to be totally permissive or totally exclusionary? Why not have the tax authorities issue individual gambling permits for given amounts, based on a person's financial returns?
A similar solution would be a possibility for alcohol abuse and drunk driving. One strike and you are out. Prohibit purchase and use of alcohol for offenders, not for those who can deal with alcoholic beverages responsibly.
Amber Phillips at The Fix in the Washington Post asks:
Are daily fantasy sports even legal?
American and international laws on gaming and gambling reflect the minds of legislators trying to cope with "games of chance" in the real world.
What are the odds that the legislators have it right? Not very good.
Anyone who does not realize that life itself is in many respects a "game of chance" just has not been around long enough or seen enough. Life is a lottery in many, even important, aspects. You roll the dice and take your chances.
Is there ANY empirical evidence anywhere that gambling and gaming laws work, e.g. that they actually help to eliminate gambling or gaming addiction?
While it is regrettably very true that excessive gambling can cause personal and/or family ruin and can also be the cause of great harm to third parties, is there ANY evidence that legislation in force achieves ANY of the goals that moralistic prohibitionary laws intend? or are people simply kidding themselves?
The harms that excessive gambling viz. gaming cause should of course be reduced, but what is the right way to do it?
Chief among these harms is the simple fact that too many people modernly spend too much time on gambling viz. gaming pursuits, often to the detriment of their family, profession, and social and other responsibilities. How is that to be corrected?
Various age-old human vices may be bad, but simple prohibition does not appear to be the right method to get rid of them.
For laws, there has to be some empirical proof that prohibition-type legislation works. What is that proof for current gambling and gaming laws?
Certainly the prevailing standards are ridiculous,
and not just in the United States.
Take Germany as an example, where the German Lottery is state-owned and is a marvelous source of income for the government, expressly prohibiting private institutions from doing the same. Does that make it better? See:
We understand very well society's need to keep people from gambling away their fortunes, or their salaries, simply for the sake of gambling (or gaming).
Those who are addicted to such pursuits and who risk their financial well-being must ultimately be taken care of by others, so that the State has an over-riding interest to make sure this does not happen, at least, as far as possible. Anyone who wants to gamble away his or her fortune can still do so in the present world and "a fool and his or her money is easily parted". Do not worry about that. Many even do that on the stock market. Can we prohibit that gambling too?
Instead of strict prohibitions, why not put LIMITS on how much anyone can game or gamble in a given year, or month, or week, based on how much they earn, own or have? Why do gambling laws have to be totally permissive or totally exclusionary? Why not have the tax authorities issue individual gambling permits for given amounts, based on a person's financial returns?
A similar solution would be a possibility for alcohol abuse and drunk driving. One strike and you are out. Prohibit purchase and use of alcohol for offenders, not for those who can deal with alcoholic beverages responsibly.
Gambling and Gaming Laws and Online Fantasy Sports : What is Legal? What can be Prohibited?
- See more at: http://lawpundit.blogspot.com/2015/09/gambling-and-gaming-laws-and-online.html#sthash.5jdWTlkn.dpuf
Saturday, September 19, 2015
Stay Away from the New Sway of Microsoft 365
Swayed Away! and do we mean AWAY.
Check out this Sway! "Swayed Away: The Problems With Microsoft's Sway"
We tried the new Microsoft 365 addition "Sway" today and here are the first text additions we made via the "plus symbol" that appeared when we clicked our first "card" which consisted originally of 5 points, as we added points 6 and 7:
6. What a complicated mess!!!!
7. Oh boy, it gets worse.
We have no idea who Microsoft has been hiring in recent years to design its programs viz. (modern-day jargon) "apps", but there are serious problems in Redmond.
It is clear that some things appear to be much faster under the hood in terms of better "app" programming, but the user interfaces have simply been awful, and Sway is no exception as we were confronted with various text and graphic layers of who knows what. Ridiculous!
We were fed up with the app Sway in no time because of a labyrinth of illogical paths that someone apparently thinks to be clever, but which your average user is going to throw into the wastebasket because of the underlying sentiment of "who needs that kind of a complicated mess!"
Interface designers and programmers forget the essential truth that PC and mobile "screens" move "bits" and "bytes" around, just like in the original days of the digital revolution. Nothing has changed on that score.
We can in fact describe those groups of "bits" and "bytes" as being essentially what people call "text" and "graphics". So we are dealing with text and images.
THAT'S IT. THAT's ALL THERE IS TO IT.
The job of app viz. program software designers is to forge the middle-man medium between "user" and "machinery" in order to get the software and hardware to do what the user wants as fast and efficiently as possible, or, if you are an artistic sort, as fast, as efficiently, and as creatively as possible.
To put it simply, as basketball's legendary coach John Wooden might have said, you have to do the basics FIRST. Things like, learn to tie your basketball shoe shoelaces properly so you do not get blisters because of unnecessary rubbing. Learn to make layups before you go out and practice razzmatazz behind-the-back sleuth passes, etc.
Sway follows the exact opposite philosophy and tries to present itself razzmataz-like from the outset and appears to hope that the user will figure out the basics later, if the user is willing to take the time and effort to do that. The answer is in many cases the user is probably NOT prepared to do that.
We applaud the idea of trying to come up with an application viz. program that makes the job of creation and sharing of text and images easier, but the less boilerplate the user must wade through, the better.
So we tried to illustrate the problems with Sway by placing the text of this posting into a Sway "Storyline" which we have titled "Swayed Away: The Problems With Microsoft's Sway". See Check out this Sway! "Swayed Away: The Problems With Microsoft's Sway"
It did not take long for the first serious impediment to appear as we clicked on the "insert" button (a menu item whose design seems to go back 40 years) via which we were going to insert this text posting into Sway from Blogger.
Sorry, but the only thing we saw there were the "suggested" inserts, consisting of photos of Microsoft founders and other Redmond or otherwise located dignitaries. We had to click on the "downward" arrow next to "suggested" to get a short list of available sources, which were limited to OneDrive, OneNote, Facebook, Flickr, Bing, PicHit, YouTube, Twitter, + Add Source, Upload.
Kind of limited, we thought. We clicked "+ AddSource" and were then asked "Where do you want to get content from? Tell us all of your favorite places to find content for Sways, and we'll work on adding them. Thank you for your help." This is followed by unchecked boxes for iCloud, Google Drive, Dropbox, Pinterest, Instagram, Vimeo, Vine and an option line to enter another app viz. program at "Other" (Please specify), all followed by two clickable box buttons of "Not now" and "Send".
Entering the app "Blogger" and clicking "Send" did not result in an affirmation of any kind that the suggested "other" app had been sent, but rather, the screen returned to the same Sway into which we were trying to insert Blogger material.
What were we to do now?
So we clicked the next "menu" item, "Cards" which led us to a dropped-down kind of menu at the left of the screen with the overall heading "All Cards" and various options under that:
the option "Text" (and the submenu items "Text" and "Heading"),
the option "Media" (and the submenu items Picture, Video, Tweet, Embed, Chart (Preview),
and the option "Group" (and the submenu items Automatic, Stack, Comparison, Slideshow, and Grid).
As we passed the mouse cursor over "Text" we got a pop-up text reading "Insert Text Card".
Clicking that item produces a NEW card under the previous one which contained the title heading.
What a surprise. They managed to fool us by thinking that the menu heading "Insert" would cover the insertion of text.
Hunt and peck. Hunt and peck.
Try to find out where some cloudy minds in Redmond had put the command one was looking for. You want to insert text? Do not look under "Insert". Look under "Cards". This is sort of like relearning the meaning of English-language words.
Gee, this is 21st century programming? Not in our book.
So we now "inserted" this entire text up to this point (i.e. this paragraph) in our Blogger posting in the "new" Sway card using the old tried and true method of copy and paste.
(subsequently)
The double-line formatting it presented to us was not our taste at all and as we tried to get that straightened out an animated bar of some kind kept disturbing us immensely as it popped up and down out of the right upper Sway area called "Preview". What it was doing there we have no idea but it was VERY disturbing and inimical to our work. Perhaps someone out there knows what it is.
Then we clicked on the menu item "Cards" and under that "Image" and double-clicked on the Microsoft image of what appear to be Microsoft graphic user interface designers about a mile distant from what we presume are their users.
April Fool . Nothing happened. If you think double-clicking here will work for you, you are mistaken! But wait, additional clicking produced two messages viz. "command options" in an upper Sway line (upon one click), and you have to see this to believe it, the first offering you to "clear selection (1)" and the second a button with the word "Add".
Why the negative first?!!! Ridiculous. Does the "Add" mean "arithmetic" or do they mean "add the selection"? and why is it a mile removed from the actual selected image?
With trepidation, we clicked the outdated "Add" clickbox button. The initially clicked picture now appeared as an "Insert" in the "Card" and then another image card appeared, perhaps because we had been double-clicking. I clicked on the trash can and the extra card disappeared. Well, at least they got SOMETHING intuitively right.
We then added a picture as a "Card", a video as a "Card", and a Twitter posting as a "Card". We were going to embed the following:
"<a class="embedly-card" href="http://lawpundit.blogspot.com/">LawPundit</a>
<script async src="//cdn.embedly.com/widgets/platform.js" charset="UTF-8"></script>"
but met an impediment via the Sway message that "Sorry, we currently only support iframe based embeds." Copying that text is not allowed, so you have to write the whole sentence out by hand if you want to use it, as here. That is hardly sensible, these non-copy parts of apps and programs. To what purpose??
So we added the iframe tags
<iframe src="http://lawpundit.blogspot.com" style="width: 90%; height: 300px"
scrolling="no" marginwidth="0" marginheight="0" frameborder="0" vspace="0" hspace="0">
</iframe>
No cigars. Sway gives us the message: "Sorry, we do not currently support non-secure embeds. Please use an embed with an HTTPS source."
So we tried this one:
<iframe src="https://www.createspace.com/4923438" style="width: 90%; height: 500px"
scrolling="yes" marginwidth="0" marginheight="0" frameborder="0" vspace="0" hspace="0">
</iframe>
Forget it. Sway tells us: "Sorry, we do not currently support this site. Please look at the more information link above for a list of supported sites." Well, why not say that at the very beginning.
So we did that and to our absolute astonishment we find a meagre list limited to the following "sources": Channel 9, Docs.com, Flickr, GeoGebra, Giphy, Google Maps, Infogram, Mixcloud, Office Mix, OneDrive (Word, Excel, PowerPoint, and PDF documents), Sketchfab, SoundCloud, Sway, Vimeo, Vine and YouTube.
That is all. It is a VERY limited world out there, from the viewpoint of Microsoft. And then we tried out the "play" feature and made some "edits". One can hardly imagine it worse.
Sway is a joke, given the possibilities of other programs in our digital world.
Check out this Sway! "Swayed Away: The Problems With Microsoft's Sway"
We tried the new Microsoft 365 addition "Sway" today and here are the first text additions we made via the "plus symbol" that appeared when we clicked our first "card" which consisted originally of 5 points, as we added points 6 and 7:
6. What a complicated mess!!!!
7. Oh boy, it gets worse.
We have no idea who Microsoft has been hiring in recent years to design its programs viz. (modern-day jargon) "apps", but there are serious problems in Redmond.
It is clear that some things appear to be much faster under the hood in terms of better "app" programming, but the user interfaces have simply been awful, and Sway is no exception as we were confronted with various text and graphic layers of who knows what. Ridiculous!
We were fed up with the app Sway in no time because of a labyrinth of illogical paths that someone apparently thinks to be clever, but which your average user is going to throw into the wastebasket because of the underlying sentiment of "who needs that kind of a complicated mess!"
Interface designers and programmers forget the essential truth that PC and mobile "screens" move "bits" and "bytes" around, just like in the original days of the digital revolution. Nothing has changed on that score.
We can in fact describe those groups of "bits" and "bytes" as being essentially what people call "text" and "graphics". So we are dealing with text and images.
THAT'S IT. THAT's ALL THERE IS TO IT.
The job of app viz. program software designers is to forge the middle-man medium between "user" and "machinery" in order to get the software and hardware to do what the user wants as fast and efficiently as possible, or, if you are an artistic sort, as fast, as efficiently, and as creatively as possible.
To put it simply, as basketball's legendary coach John Wooden might have said, you have to do the basics FIRST. Things like, learn to tie your basketball shoe shoelaces properly so you do not get blisters because of unnecessary rubbing. Learn to make layups before you go out and practice razzmatazz behind-the-back sleuth passes, etc.
Sway follows the exact opposite philosophy and tries to present itself razzmataz-like from the outset and appears to hope that the user will figure out the basics later, if the user is willing to take the time and effort to do that. The answer is in many cases the user is probably NOT prepared to do that.
We applaud the idea of trying to come up with an application viz. program that makes the job of creation and sharing of text and images easier, but the less boilerplate the user must wade through, the better.
So we tried to illustrate the problems with Sway by placing the text of this posting into a Sway "Storyline" which we have titled "Swayed Away: The Problems With Microsoft's Sway". See Check out this Sway! "Swayed Away: The Problems With Microsoft's Sway"
It did not take long for the first serious impediment to appear as we clicked on the "insert" button (a menu item whose design seems to go back 40 years) via which we were going to insert this text posting into Sway from Blogger.
Sorry, but the only thing we saw there were the "suggested" inserts, consisting of photos of Microsoft founders and other Redmond or otherwise located dignitaries. We had to click on the "downward" arrow next to "suggested" to get a short list of available sources, which were limited to OneDrive, OneNote, Facebook, Flickr, Bing, PicHit, YouTube, Twitter, + Add Source, Upload.
Kind of limited, we thought. We clicked "+ AddSource" and were then asked "Where do you want to get content from? Tell us all of your favorite places to find content for Sways, and we'll work on adding them. Thank you for your help." This is followed by unchecked boxes for iCloud, Google Drive, Dropbox, Pinterest, Instagram, Vimeo, Vine and an option line to enter another app viz. program at "Other" (Please specify), all followed by two clickable box buttons of "Not now" and "Send".
Entering the app "Blogger" and clicking "Send" did not result in an affirmation of any kind that the suggested "other" app had been sent, but rather, the screen returned to the same Sway into which we were trying to insert Blogger material.
What were we to do now?
So we clicked the next "menu" item, "Cards" which led us to a dropped-down kind of menu at the left of the screen with the overall heading "All Cards" and various options under that:
the option "Text" (and the submenu items "Text" and "Heading"),
the option "Media" (and the submenu items Picture, Video, Tweet, Embed, Chart (Preview),
and the option "Group" (and the submenu items Automatic, Stack, Comparison, Slideshow, and Grid).
As we passed the mouse cursor over "Text" we got a pop-up text reading "Insert Text Card".
Clicking that item produces a NEW card under the previous one which contained the title heading.
What a surprise. They managed to fool us by thinking that the menu heading "Insert" would cover the insertion of text.
Hunt and peck. Hunt and peck.
Try to find out where some cloudy minds in Redmond had put the command one was looking for. You want to insert text? Do not look under "Insert". Look under "Cards". This is sort of like relearning the meaning of English-language words.
Gee, this is 21st century programming? Not in our book.
So we now "inserted" this entire text up to this point (i.e. this paragraph) in our Blogger posting in the "new" Sway card using the old tried and true method of copy and paste.
(subsequently)
The double-line formatting it presented to us was not our taste at all and as we tried to get that straightened out an animated bar of some kind kept disturbing us immensely as it popped up and down out of the right upper Sway area called "Preview". What it was doing there we have no idea but it was VERY disturbing and inimical to our work. Perhaps someone out there knows what it is.
Then we clicked on the menu item "Cards" and under that "Image" and double-clicked on the Microsoft image of what appear to be Microsoft graphic user interface designers about a mile distant from what we presume are their users.
April Fool . Nothing happened. If you think double-clicking here will work for you, you are mistaken! But wait, additional clicking produced two messages viz. "command options" in an upper Sway line (upon one click), and you have to see this to believe it, the first offering you to "clear selection (1)" and the second a button with the word "Add".
Why the negative first?!!! Ridiculous. Does the "Add" mean "arithmetic" or do they mean "add the selection"? and why is it a mile removed from the actual selected image?
With trepidation, we clicked the outdated "Add" clickbox button. The initially clicked picture now appeared as an "Insert" in the "Card" and then another image card appeared, perhaps because we had been double-clicking. I clicked on the trash can and the extra card disappeared. Well, at least they got SOMETHING intuitively right.
We then added a picture as a "Card", a video as a "Card", and a Twitter posting as a "Card". We were going to embed the following:
"<a class="embedly-card" href="http://lawpundit.blogspot.com/">LawPundit</a>
<script async src="//cdn.embedly.com/widgets/platform.js" charset="UTF-8"></script>"
but met an impediment via the Sway message that "Sorry, we currently only support iframe based embeds." Copying that text is not allowed, so you have to write the whole sentence out by hand if you want to use it, as here. That is hardly sensible, these non-copy parts of apps and programs. To what purpose??
So we added the iframe tags
<iframe src="http://lawpundit.blogspot.com" style="width: 90%; height: 300px"
scrolling="no" marginwidth="0" marginheight="0" frameborder="0" vspace="0" hspace="0">
</iframe>
No cigars. Sway gives us the message: "Sorry, we do not currently support non-secure embeds. Please use an embed with an HTTPS source."
So we tried this one:
<iframe src="https://www.createspace.com/4923438" style="width: 90%; height: 500px"
scrolling="yes" marginwidth="0" marginheight="0" frameborder="0" vspace="0" hspace="0">
</iframe>
Forget it. Sway tells us: "Sorry, we do not currently support this site. Please look at the more information link above for a list of supported sites." Well, why not say that at the very beginning.
So we did that and to our absolute astonishment we find a meagre list limited to the following "sources": Channel 9, Docs.com, Flickr, GeoGebra, Giphy, Google Maps, Infogram, Mixcloud, Office Mix, OneDrive (Word, Excel, PowerPoint, and PDF documents), Sketchfab, SoundCloud, Sway, Vimeo, Vine and YouTube.
That is all. It is a VERY limited world out there, from the viewpoint of Microsoft. And then we tried out the "play" feature and made some "edits". One can hardly imagine it worse.
Sway is a joke, given the possibilities of other programs in our digital world.
Monday, September 14, 2015
Conversion of Books to eBooks: Kindle-Capable MOBI Files Created From Book Docs viz. PDFs Having Both Text and Images Using K2PDFOPT and CALIBRE
We make no warranty that this will work for you. Perhaps another,
simpler method is available. When we first did this, none was. The
procedure described below is complicated, but doable and it works for
us. Here is what we do.
The objective: Creating a MOBI file usable in a Kindle publication when the book to be converted to Kindle format includes images. Normally, this can be difficult or impossible to do, since Kindle is set up mainly for text-based books. When we used the automatic CreateSpace link to convert our print book to Kindle, all we got back was impossible garble. We needed a different solution.
The method: Converting native (i.e. normal) pdf files of text and images to a pdf file consisting of each page as a singular graphic image page, i.e. including text and graphics as one image, which is then shown in that format on Kindle.
First: Create a normal "native" pdf file of your book from e.g. a .docx file which can be done in Microsoft Word (latest version) via the "Export" function under the menu item "File". This works for us in the subsequently described conversion procedure. We can not speak for pdf files created by other programs.
Second: Download and use K2pdfopt. Load that native pdf file into the file list of the program K2PDFOPT (download the version suitable for your system). K2pdfopt has dozens of commands for tweaking pdf files.
Our objective is to obtain each page of our book as a separate image for our pdf file and then automatically obtain a new pdf file of the whole book formatted in that manner.
Here is how you do it with k2pdfopt.exe.
The Command settings in k2pdfopt for conversion of pages as graphic images:
Load your normal "native" pdf file into the file list (do not click "native" ! in the lower commands or you just get a "normal" pdf file again).
Add these options from the options below that list:
Additional options:
enter the following settings:
The resulting pdf is a pdf composed of each page of the original source converted to one graphic image (both text and graphic image parts). This, however, reduces what the reader can do with the text in Kindle but is better than any other alternative known to us. The reader can zoom any page like a graphic image for easier reading, which is not only useful for texts, but also great for graphic images. Negative is that the font and text sizes can not be changed as such per se but can only be "zoomed". But it works.
Download Calibre. That k2pdfopt pdf "image" file of a book can then be converted to the necessary Kindle "MOBI" format using the program Calibre which can be downloaded online at http://calibre-ebook.com/.
Load the resulting k2pdfopt pdf file into Calibre and select the "Convert books" option and then pick MOBI from the list of options. Calibre converts the pdf file to MOBI -- if memory serves correctly, placing it into an automatically created CalibreBooks directory in a file named after the book author. At least, that is what we use.
Download KindlePreviewer. Check now to see how the book looks with the KindlePreviewer, which allows you to see the book in all Kindle versions, also iOS. You can now upload your book to Kindle.
Caveat Emptor: Please note that we do not do any personal consultations on this matter. We are simply reporting our experience, and if it is useful to you, fine. If not, you may have to tweak your own solution. We have at least shown then how it "could" be done. Surely improvements are possible.
The objective: Creating a MOBI file usable in a Kindle publication when the book to be converted to Kindle format includes images. Normally, this can be difficult or impossible to do, since Kindle is set up mainly for text-based books. When we used the automatic CreateSpace link to convert our print book to Kindle, all we got back was impossible garble. We needed a different solution.
The method: Converting native (i.e. normal) pdf files of text and images to a pdf file consisting of each page as a singular graphic image page, i.e. including text and graphics as one image, which is then shown in that format on Kindle.
First: Create a normal "native" pdf file of your book from e.g. a .docx file which can be done in Microsoft Word (latest version) via the "Export" function under the menu item "File". This works for us in the subsequently described conversion procedure. We can not speak for pdf files created by other programs.
Second: Download and use K2pdfopt. Load that native pdf file into the file list of the program K2PDFOPT (download the version suitable for your system). K2pdfopt has dozens of commands for tweaking pdf files.
Our objective is to obtain each page of our book as a separate image for our pdf file and then automatically obtain a new pdf file of the whole book formatted in that manner.
Here is how you do it with k2pdfopt.exe.
The Command settings in k2pdfopt for conversion of pages as graphic images:
Load your normal "native" pdf file into the file list (do not click "native" ! in the lower commands or you just get a "normal" pdf file again).
Add these options from the options below that list:
Additional options:
- enter exactly the following text with hyphens and space
-bp -mc
- enter exactly the following text with hyphens and spaces
-mode copy -de 1.5 -odpi 167 -h 1180 -w 800 -ws 0.2
- Max columns: 1
- Document Resolution Factor 1.0
- Crop Margins (in): Left 0.00 Top 0.00 Right 0.00 Bottom 0.00
- Pages to convert: (all)
- Color output if your pdf has pages in color
- Ignore small defects
- Forget the rest unless you have special option requirements
enter the following settings:
- Device: Kindle 1-5
- Width 800 px
- Height 1180 px
- DPI 167 (not sure if this is standard or determined by the pdf)
- Conversion Mode: copy
The resulting pdf is a pdf composed of each page of the original source converted to one graphic image (both text and graphic image parts). This, however, reduces what the reader can do with the text in Kindle but is better than any other alternative known to us. The reader can zoom any page like a graphic image for easier reading, which is not only useful for texts, but also great for graphic images. Negative is that the font and text sizes can not be changed as such per se but can only be "zoomed". But it works.
Download Calibre. That k2pdfopt pdf "image" file of a book can then be converted to the necessary Kindle "MOBI" format using the program Calibre which can be downloaded online at http://calibre-ebook.com/.
Load the resulting k2pdfopt pdf file into Calibre and select the "Convert books" option and then pick MOBI from the list of options. Calibre converts the pdf file to MOBI -- if memory serves correctly, placing it into an automatically created CalibreBooks directory in a file named after the book author. At least, that is what we use.
Download KindlePreviewer. Check now to see how the book looks with the KindlePreviewer, which allows you to see the book in all Kindle versions, also iOS. You can now upload your book to Kindle.
Caveat Emptor: Please note that we do not do any personal consultations on this matter. We are simply reporting our experience, and if it is useful to you, fine. If not, you may have to tweak your own solution. We have at least shown then how it "could" be done. Surely improvements are possible.
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